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KINEMORTOPHOBIA! (2022)

2022 · Izzy Chavez · 3 分钟 · Estados Unidos · Edited by 1

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short animated documentary on how zombies used to scare a little girl

Izzy Chavez导演

一部围绕 animación 和纪录片展开的 2022 作品。由 Izzy Chavez 执导。

如果你喜欢这些，可能会喜欢

如果你在找这些，可能不太合适

超自然
身体恐怖
巫术
怪物志

零年中的孤單六十秒

零年中的孤單六十秒被導演陣容閃花了眼吧？不要點想看了這個片子只在愛沙尼亞放映一次就被銷毀了

Viral Blood

Viral BloodIn the war-torn year of 2016, a young frat-boy encounters a 'grody' clown across a suburban street. What follows is violence so sensational it'll make headlines!

The Philosophy of Horror (Part I): Etymology

The Philosophy of Horror (Part I): EtymologyThe Philosophy of Horror is a seven-part abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. The film uses hand painted and decayed 35mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).

Abstract Horror

Abstract HorrorThe dark future is already here, we only need to invest in current trends of decay and disruption. "Abstract Horror" is an experimental film focusing on new forms of ideology mediated by smart technology. The film focuses on the so-called neo-reactionary movement (NRx), which primarily includes Silicon Valley visionaries, and it reflects the thought processes of this group. The abstract horror might have a very concrete form.

鬼夜《贓物》窮困潦倒的中年人關富強（任達華飾）無工可開，漸入絕境，他怨天尤人，憎恨命運的不公。正所謂窮則思變，一生窮怕瞭的老關劍走偏鋒，鋌而走險盜取他人骨灰，企圖勒索贖金求活。黑天黑地，人鬼難分；《放手》提倡音樂驅邪的風水師父何可（梁傢輝飾）迫於高昂租金準備關張，在最後一天他邂逅一對自稱撞鬼的夫婦，因感事態復雜，遂將夫婦介紹給同行好友水晶占卜師王蘭（陳慧琳飾），但他的最後一天營業卻沒這麼簡單結束，緊接著一名緊握左手的學生妹找到何師父；《驚蟄》驚蟄祭白虎，朱婆婆（邵音音飾）照例來到鵝頸橋下擺攤打小人。是夜，先後有闊太太（顧美華飾）以及名為梁震嬰（盧海鵬飾）的客人上門。當朱婆婆準備收攤之時，一名面容陰森的少女坐在旁邊，要求打小人報復三男一女。

O Lasanha

O LasanhaLasagna is a short film about one of the thousands of quirks that cats have that sometimes scare us. Saci, the owner, is watching TV in her room when Lasagna starts to stare at the door. Is there something behind her?

The Social Bunny Murders

The Social Bunny MurdersThe mockumentary opens with the line: “In the summer of 2010, Pleasantview witnessed a series of killings no one could explain... except the children.” Over a span of two weeks, five Sims are found dead under eerie and impossible circumstances — strangled in locked rooms, drowned in empty pools, or simply vanished. All the victims had previously reported seeing “the pink one” — a term children use for the elusive, silent figure known as the Social Bunny.

Simterview with the Vampire

Simterview with the VampireSimterview with the Vampire is a 36-minute machinima mockumentary created using The Sims 3. Acclaimed journalist Jonathan Parker (Dean Roman Castiglione) accepts a mysterious invitation from Anastasia Vassiliev (Aylin Baykal), an ancient vampire intent on revealing her true nature to the world. Jonathan arrives at Anastasia’s mansion in the Hollywood Hills, where he is welcomed by her loyal familiar, Penny (Alvin Soprano). Throughout the interview, Anastasia shares her personal history and her philosophy on vampirism, while introducing Jonathan to her adopted vampire daughter Natalia Svetlitskiy (Evie Campbell), who remains forever fourteen. As night turns to dawn, the interview takes a darker, increasingly unsettling turn—culminating in a revelation that changes everything.

I Smell a Mouse

I Smell a MouseA documentary puppet animation about Iiti’s (28) moving in day. As if a sign from the universe for her poor life choices, there seems to be a nightmarish mouse lurking in the shadows of her new home. Iiti has to get rid of the mouse by whatever means necessary. She arms herself with mouse traps, lethal spray and even an ultrasonic repellant. But the nasty mouse problem just escalates and ultimately leads Iiti to a strange coincidence. Could Iiti be a mouse herself?

The Body Dissolver

The Body DissolverThe film is based on interviews with professional boxers recalling the moment they were knocked out. The Film combines documentary and fictional elements into a dense parafiction, tinted with body horror genre. Unreal 3D animations generated by the artist are confronted with found footage and the images of human bodies with the representations of imaginary, hyperbolic machines. The storyline reveals the recurring fantasies about the abandonment of the body and the visions of ecstasy, exploited in various spiritual discourses and pop-culture alike.