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VisceraAfter being sexually assaulted, Jade's trauma gradually warp her perception of reality and descend her into darkness on a desperate quest for visibility. A creeping transformation becomes a haunting exploration of guilt, emotional wounds, and the silent, simmering rage within her. A survivor's voyage into her own darkness takes a chilling turn as she transforms into a vengeful force of feminine rage, blurring the line between justice and revenge, and challenging the societal failings of rape culture.
The Last Moon of July
The Last Moon of JulyThe *masciàre* were healers and herbalists, keepers of knowledge passed down orally through generations. On nights of the full moon, using ointments and potions, they transformed into dogs, cats, or birds to travel undisturbed to their gatherings. Each coven met beneath the nearest walnut tree. The most majestic of all stood in Benevento. During the Inquisition, these trees were uprooted and replaced with churches, in an attempt to erase the memory they held. Yet in Puglia, near the town of Noci, a young walnut tree now grows lush and strong beside one of these ancient churches.
The Walten Files 5 - Faces of GriefRosemary Peony Walten (Born April 20th, 1934) was an artist, filmmaker & composer from Brighton, Michigan. Having studied at the Brighton Public College for Arts, she dedicated her life into making art pieces that would get fairly popular locally. During the 1960s she worked on numerous short films of her own ("The Dancing Sheep", "Crescendo", amongst many others) and in the 1970s, she joined her husband Jack Walten and friend Felix Kranken in B.S.I. where she'd end up creating and designing the characters that would star in the local burger joint 'Bon's Burgers'. Rose had a loving & caring family of 3 children and a devoted Husband. She was a dedicated member of the Brighton Community Church and hosted numerous charity events alongside her husband, where she donated multiple art pieces. In July 19th, 1974, Rosemary disappeared. She was never found.
Red screen
Red screenThe serial killer’s latest victim may still be alive, but the captured maniac refuses to talk. To force him to reveal the truth, the profiler uses the deadly “Red Screen” technology, which allows her to penetrate the criminal’s mind. But first, she must experience the effects of the technology herself. The deeper the immersion becomes, the more the heroine’s and the killer’s minds become intertwined—and the harder it is to tell who is the victim, who is the hunter, and where the line lies beyond which there is no turning back.
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