感應 (2025)露絲(劉玉玲飾演)和先生克里斯(克里斯蘇利文飾演)帶著兒子泰勒(艾迪瑪黛飾演)和女兒克蘿伊(卡莉娜梁飾演),一家四口一起搬進郊區一處新家。克蘿伊因為失去摯友而陷入悲傷,同時又常因為和哥哥不合引發爭執,加上媽媽對哥哥的偏愛,讓她感到無依無靠。來到新家之後,她默默感受到這個家中,似乎有股詭異的靈異力量存在,而這股力量從一開始就圍繞在她身邊,並逐漸轉移至影響整個家庭,讓這家人必須搞清楚,這股神秘力量究竟想要告訴他們什麼…。
內陸帝國 (2006)酒店房間內,無名女生在痛哭,而電視上播放女演員 Nikki 的故事,她和男演員 Devon 參與一部重拍電影,不禁假戲真做,Nikki 越來越無法分清何為現實何為做戲,現實也似乎向著劇情發展。 上映至今評價兩極,恨者不滿故事故弄玄虛,走火入魔,愛者認為是聯治電影之大成,是他電影藝術上真正高峰,但無一不説這是聯治最自主自由的創作,聯治身兼導演編劇攝影配樂,數碼攝影機的畫面所帶來的特殊感,將影像推入更暈眩奇幻的境界,開啟全新電影製作模式,反荷裏活電影產業之餘,在看似碎片化又多線情節,每一個段落都值得反覆玩味,由如剝洋葱般將女性心理狀況表露無遺,這三小時,究竟是關於神秘電影計劃?女演員的事業起伏?還是走入女性內心?
The Dream Machine (2026)Victor Neff moves into a new apartment and discovers a strange machine in the basement. Made of scrap metal, wires, and old television sets, it allows him to enter other people's dreams. But dreams are not empty, they are crowded with secrets, fears, and the dreamers themselves. - Based on the critically acclaimed point-and-click adventure game by Cockroach Inc.
Possibly in Michigan (1983)A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.
PUTREFIXION: A Video of Nina Temich (2022)PUTREFIXION: A Video of Nina Temich is the first feature to be entirely filmed on a 360 camera. Director David Torres utilizes the disorienting nature of a 360 lens to transform Mexico City, accentuate the ritual of dance, and open a new chapter of in-world-camera narratives. As Nina, model and dancer Dalia Xiuhcoatl controls the space and movement of the camera, giving this portrait of a young woman's brush with the supernatural a mesmerizing feminine energy.
Subsurface (2023)Trapped and alone, a young man must confront the pain he's ignored when he finds himself face-to-face with consequence.
輪回:瘋狂時代 (2024)在電影發布會上,薩達西萬指出,這個故事“植根於喀拉拉邦的黑暗時代”。這部電影計劃以五種印度語言同時發行。馬拉雅拉姆語小說家T.D.Ramakrishnan加入了這個項目,負責電影的對話。
Father (2026)During Thanksgiving week, two college friends interview a group of students who have seen the ghost of a deceased father.