Frankenstein Created Robyn (2026)Actress and filmmaker Robyn Adams discusses her experiences with autism, gender identity, and learning to embrace her flaws. Also, she's Frankenstein's Monster now.
Stavo (2023)Narrative of the process of building an identity as a trans illustrator who uses monstrous images to communicate his feelings.
Miz Cracker's Favorite Haunts (2024)World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?
Phantasia (2024)X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Bugman (2024)A misunderstood and isolated transgender teenager takes revenge upon his unaccepting parents. A powerful supernatural entity known as the Bug God contacts him to help him do the deed. A mysterious organization produces a largely fictitious made-for-TV docudrama on the subject.
FASCISM(s): A Film in Six Parts (2025)Six sequences about Fascism and its segments throughout history.
Angel (iii) (2026)A spectral first-person journey through Los Angeles layers the city across itself as our guide disassociates, giving way to an abstracted daytime ghost story following a woman's splitting of self and perception. ANGEL PROJECT continues.
营地 (2026)女主艾米丽背负两层沉重心理罪孽:早年驾车意外撞死一名孩童,之后又因自己携带的毒品导致挚友途中过量身亡,巨大愧疚让她彻底陷入抑郁自闭。父亲为帮她走出创伤,安排她前往阿尔伯塔省密林深处一处面向问题青少年的基督教夏令营担任辅导员,本意是借工作与环境进行心理疗愈。营地表面严苛信奉宗教、纪律规整,但艾米丽很快发现同组几名女辅导员行为诡异:夜夜酗酒却从无宿醉,能无形拿捏营地男性管理人员,和整片森林植被存在共生般的神秘联结。她被这群女孩拉入圈子后逐渐得知,她们以基督教营地为伪装,暗中组建女巫团修习巫术;林间时常传来低语警告她速速离开,一边是女巫群体带来的归属感、情绪释放与超自然蜕变,一边是自身过往罪孽的纠缠、宗教教条的束缚与森林潜藏的黑暗反噬,艾米丽在自我救赎与沉沦邪术之间不断摇摆,最终直面创伤本源,完成一场痛苦的精神重生。