懼裂 (2024)法國新銳女導攜手好萊塢傳奇女神黛咪摩爾、【女傭浮生錄】瑪格麗特庫利和【明天過後】丹尼斯奎德,以容貌焦慮和年齡歧視為核心,打造突破感官極限的肉體變異饗宴!中年女星伊莉莎白為了對抗歲月流逝,決定使用黑市藥物「完美物質」,透過細胞分裂創造出一個更年輕美麗的自己。然而,隨著本尊與分身間的和諧逐漸產生裂痕,一場奪取身體主控權的戰爭即將上演…
感應 (2025)露絲(劉玉玲飾演)和先生克里斯(克里斯蘇利文飾演)帶著兒子泰勒(艾迪瑪黛飾演)和女兒克蘿伊(卡莉娜梁飾演),一家四口一起搬進郊區一處新家。克蘿伊因為失去摯友而陷入悲傷,同時又常因為和哥哥不合引發爭執,加上媽媽對哥哥的偏愛,讓她感到無依無靠。來到新家之後,她默默感受到這個家中,似乎有股詭異的靈異力量存在,而這股力量從一開始就圍繞在她身邊,並逐漸轉移至影響整個家庭,讓這家人必須搞清楚,這股神秘力量究竟想要告訴他們什麼…。
內陸帝國 (2006)酒店房間內,無名女生在痛哭,而電視上播放女演員 Nikki 的故事,她和男演員 Devon 參與一部重拍電影,不禁假戲真做,Nikki 越來越無法分清何為現實何為做戲,現實也似乎向著劇情發展。 上映至今評價兩極,恨者不滿故事故弄玄虛,走火入魔,愛者認為是聯治電影之大成,是他電影藝術上真正高峰,但無一不説這是聯治最自主自由的創作,聯治身兼導演編劇攝影配樂,數碼攝影機的畫面所帶來的特殊感,將影像推入更暈眩奇幻的境界,開啟全新電影製作模式,反荷裏活電影產業之餘,在看似碎片化又多線情節,每一個段落都值得反覆玩味,由如剝洋葱般將女性心理狀況表露無遺,這三小時,究竟是關於神秘電影計劃?女演員的事業起伏?還是走入女性內心?
ORG (1979)Explores the complex relationship between the spirit, body, and mind. The film is a nightmare with closed eyes because it counts among the most terrible moments of my life, my second exile, which lasted a very long time. Inspired by an ancient Hindu legend.
Lost Footage (2022)How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
Birth (2022)During Childbirth, a mother is told the child is stillborn, and she struggles to finish the birth in order to survive.
Memoirs of a Strangler of Blondes (1971)First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
輪回:瘋狂時代 (2024)在電影發布會上,薩達西萬指出,這個故事“植根於喀拉拉邦的黑暗時代”。這部電影計劃以五種印度語言同時發行。馬拉雅拉姆語小說家T.D.Ramakrishnan加入了這個項目,負責電影的對話。