圣血 (1989)一个全身赤裸的年轻男人蹲在室内靠窗的一株树干上,目光呆滞。他就是芬尼克斯(亚历桑德罗·佐杜洛夫斯基 Alejandro Jodorowsky 饰),被关在精神病院的一位患者。从小体弱多病性格孤僻的芬尼克斯,童年是在马戏班里度过的。父亲奥高(盖伊·斯托克韦尔 Guy Stockwell 饰)是马戏班班主,母亲嘉西娅(布兰卡·格拉 Blanca Guerra 饰)是空中飞人的演员。嘉西娅信奉拜物教,她供的神是个被两个兄弟奸杀的断臂少女。在她流血的地方,人们挖池贮水建起教堂,取名“圣血”。当神父发现所谓的圣血不过是红油漆水时,同意当地政府拆毁教堂。嘉西娅带领教徒反抗。当嘉西娅发现奥高与人通奸时发起报复,奥高拿飞刀斩去嘉西娅双臂,割脉自杀。芬尼克斯进入精神病院。在嘉西娅的唆使下,芬尼克斯逃出精神病院,成为了嘉西娅的“魔手”。
樹中的男孩 (2016)1997 年萬聖節,高中生活的最後一天,滑板男孩科瑞護送被霸淩的同學喬納回家。兩人曾經是童年好友,但如今已形同陌路。街道很空曠,氣氛很詭異,路就像沒有盡頭,漸漸地他們就像踏上了回憶的小徑,那些隱藏的感情如洪水倒捲回來。
內陸帝國 (2006)酒店房間內,無名女生在痛哭,而電視上播放女演員 Nikki 的故事,她和男演員 Devon 參與一部重拍電影,不禁假戲真做,Nikki 越來越無法分清何為現實何為做戲,現實也似乎向著劇情發展。 上映至今評價兩極,恨者不滿故事故弄玄虛,走火入魔,愛者認為是聯治電影之大成,是他電影藝術上真正高峰,但無一不説這是聯治最自主自由的創作,聯治身兼導演編劇攝影配樂,數碼攝影機的畫面所帶來的特殊感,將影像推入更暈眩奇幻的境界,開啟全新電影製作模式,反荷裏活電影產業之餘,在看似碎片化又多線情節,每一個段落都值得反覆玩味,由如剝洋葱般將女性心理狀況表露無遺,這三小時,究竟是關於神秘電影計劃?女演員的事業起伏?還是走入女性內心?
兔子 (2002)故事圍繞一群擬人化的兔子展開,描繪了他們抑鬱的日常生活。情節包括蘇西熨燙衣物、簡坐在沙發上、傑克在公寓裏進進出出,偶爾穿插着蘇西或簡的獨唱片段。某天兔子們還與他們的“首領”取得了聯系。
破壞慾 (2008)吉娜一日在路上看見另一個自己,開車發生車禍,之後她又跟隨著一個神秘的女子,穿梭著倫敦熱鬧的街上,最後來到自己居住的公寓,周遭的一切怪事,讓她開始懷疑起自己的身份,並陷入無法擺脱的惡夢中. . . 。
Elliot (2017)Set in the dark depths of a strange and mysterious power supply complex, ELLIOT tells the tale of a conflicted humanoid (Elliot) struggling to maintain his reality and understand his true identity. Elliot is thrust into a disconcerting downward spiral of despair in which he is forced to recognize the perils of his own cognition and constructed ideals in a crumbling universe where the lines between fantasy, simulation, and reality are blurred, and the fibers of Elliot’s fragile existence are ruptured.
请杀了我 (2015)Barra da Tijuca, West Side Zone of Rio de Janeiro. A wave of murderers plague the area. What starts off as a morbid curiosity for the local youth, slowly begins to spoil away at their lives. Among them is Bia, a 15-year-old girl. After an encounter with death, she will do anything to make sure she is alive.
Darkness in Tenement 45 (2020)Sixteen-year-old Joanna has been living with her overbearing Aunt Martha in a low-income NYC tenement building ever since a violent outburst left her fighting a feeling she can only describe as the "darkness." Little did she know that weeks after moving in, a biological threat from the Soviet Union would leave the building boarded up and the tenants locked inside. It's been one month since they were first sequestered. With food dwindling and Martha's controversial role as leader expanding, Joanna realizes that she must face both her darkness and her aunt in order to save the tenants. But can she take on the leadership without letting the darkness take over her entirely?
Wowzers (2019)A tormented young woman haunted by a recurring dream is catapulted into a peculiar and deviant world where she is confronted by the duality of her existence.