Iemon (1928)

Name: Iemon
Director: Norikuni Yasuda
Genre: Drama, Cinema mudo
Released: 1928
Cast: Chiyoko Azuma, Keiko Hayashibara, Mineko Komatsu, Toshiko Makita, Masatarō Nakamura

1928 · Norikuni Yasuda · Japan · Edited by 1

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Uma proposta de 1928 centrada em Drama e Cinema mudo. Dirigida por Norikuni Yasuda.

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O Gabinete do Dr. CaligariNum pequeno vilarejo da fronteira holandesa, o misterioso hipnotizador Dr. Caligari chega acompanhado do sonâmbulo Cesare, que estaria supostamente adormecido por 23 anos. À noite, Cesare perambula pela cidade concretizando as previsões funestas do seu mestre, o Dr. Caligari.

O Médico e o MonstroUm cientista filantropo testa fórmula em si mesmo, com o intuito de provar que os instintos benévolos e malévolos de uma mesma pessoa podem ser retidos em corpos diferentes. Entretanto, com o passar do tempo, o avatar de sua maldade (sob o nome de Mr. Hyde) passa a dominá-lo por completo e fazer mal contra todos os que estão ao seu redor…

MandrágoraHanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.

O Monstro do CircoUm atirador de facas, de grande sucesso num circo por não ter braços e usar os pés nos seus números, esconde um grande segredo.

SaloméBased on Oscar Wilde's play, the films tells the story of how Salomé agrees to dance for King Herod in return for the head of John the Baptist.

Isabelle aux DombesPialat's first film was the short Isabelle aux Dombes, shot in 1951 when the director was 26 years old. The film is an entirely silent montage of documentary footage, ragged experimental techniques — mainly some negative-image inserts — and symbolic psychodrama that's surprisingly not too different from the work that Stan Brakhage would begin making just a year or two later. Images of death proliferate throughout the film, and what started as a loose documentary soon becomes an eerie psuedo-horror piece that's obsessed with death and decay.

Danse macabreThe Black Death is ravaging Spain. As Camille Saint-Saëns's "Danse Macabre" plays on the soundtrack, a mix of animation and acted scenes tells the story of Youth and Love meeting one night. They dance, embrace, and kiss. As the night wears on, exuberant Death, a skeletal figure with a violin, pursues the couple. They try to elude him. Eventually, Love swoons. Youth is powerless to protect her. Is she doomed?

The MagicianA young woman, Margaret Dauncey, is caught between the forces of a charlatan magician, Oliver Haddo, whom she is unable to resist, and the love of a handsome surgeon, Arthur Burdon, who has saved her from being a helpless cripple by performing a delicate operation on her spine.

Suspense.Abandoned by her maidservant in an isolated country house, a mother must protect herself and her baby from an invading tramp while her husband races home in a stolen car to save them.

The Telltale HeartAn insane man first loves then grows to hate his neighbor, an old man whose penetrating gaze unnerves the insane man. He plans a perfect crime and executes it one night. The next day, two officers knock on the insane man's door, investigating a shriek heard in the night. The insane man invites them in, answers their questions, and submits to an examination of his eyes by one of the officers, who proclaims him innocent. The insane man invites them to stay and relax awhile, then regales them with his theories of crime. His heart begins to beat louder. Angles on the set are skewed to suggest the man's internal disarray.

Iemon (1928)

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