Don't Hug Me I'm Scared 2Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
Don't Hug Me I'm Scared 3During a chicken picnic, Yellow Guy gets upset after Green Bird kills a butterfly. Yellow Guy then meets a butterfly that takes him on a journey to discover his concept of love.
Don't Hug Me I'm Scared 4The fourth instalment in the surreal Don’t Hug Me I’m Scared videos in which the three returning characters enter a sinister digital world through their computer.
Pencil FaceA young girl is playing on some waste ground when she finds a pencil with a face. Whatever she draws with the pencil becomes real. Just an ordinary day.
Letters to the DeadThe past and the future collide as a mother abandons her child, provoking three spirits to seek revenge. An experimental musical mixing drama, tragedy and the occult.
The GridA story about a time traveler and the search for the first cell of one's existence. 'The Dead', played by Peter Murphy searches for and finds a 'Grid' which enables him to watch the beginning of his life -from the moment of conception.
안달루시아의 개날카로운 면도날이 여자의 눈을 향하고, 거침없이 눈을 잘라낸다. 손 위에 우글거리는 개미들과 죽은 당나귀를 실은 그랜드피아노를 끌어당기는 남자 등 기묘한 이미지의 파편들이 이어진다. 루이스 부뉴엘과 초현실주의 화가 살바도르 달리가 함께 시나리오를 쓴 부뉴엘의 데뷔작이다. 줄거리가 잡히지 않는 기괴한 이미지들의 나열은 지금까지도 충격과 공포를 안겨주며, 초현실주의의 진정한 걸작으로 남아있다. 여자의 눈을 잘라내는 남자는 바로 부뉴엘 자신이다.
Witch's CradleThe surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.
쾌락 궁전의 창립시바 신이 깨어난다. 신화 속 인물로 변장한 마술사들이 소집되어, 판이 상인 가장 무도회 파티가 열린다. 헤카테의 포도주가 부어지고, 시바는 판의 잔에 독을 붇는다. 모두가 만취해가는 의식이 이어지면서 칼리 여신은 집회를 축복하는데...
Malice in WonderlandA jet-propelled white rabbit flies through the vulva of a supine woman into a wonderland where people and objects turn inside out, changing shapes and identities at warp speed. Events roughly follow Lewis Carroll's "Alice in Wonderland." The caterpillar and the queen make appearances, as does Alice. Images and symbols are often sexual. At the end, Alice asks, "Who has had such a curious dream?"