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Lovely Bad Things
Lovely Bad ThingsHe’s the devil. And she’s his wicked game. An enemies-to-lovers dark academia romance with a thrilling twist and epic love story from the disturbed mind that brought you the Darkly, Madly Duet. Halen: They say eyes are the windows to the soul—but when he looks at me through hues of slate-green and flaring blue embers, I’m terrified of what’s watching me from behind his clashing gaze, something primal and feverish that threatens to melt me like fire in ice. I fear falling into Kallum Locke’s pitch-black soul. But after I’m called to a crime scene to investigate the most gruesome act of violence to descend on the legendary town of Hollow’s Row, I have no choice but to turn to Kallum, to the man I had locked away in an asylum for the criminally insane. He’s the leading expert on all things Nietzsche and occult. And now, to get answers, I’m forced to make a deal with the devil himself. Kallum: Really, eyes are the windows to the soul? Then I wonder what little Halen St. James thinks of all the cryptic eyes watching her in the killing fields… I wonder if the hairs on her delicate nape lifted away, if a thrilling shiver raced over her soft skin. She’s desperate for the answer, and she’ll do anything to uncover it—even make a deal with me, dangling freedom like bait on a hook. But she’s far more tempting to sink my teeth into than any lure. And the pain will taste twice as sweet. CW: Full list found on author's website. Serial killers. Plot and plot twists. Slow burn romance. Crime scenes. Dark themes. Violence. Murder. Blood and sharp object play. Occult references. Loss of loved ones (off page). As this is dark romance, there are likely other dark themes and situations, so please read responsibly.
Asian Ghost Short Stories
Asian Ghost Short StoriesA new collection of stories from submissions and classic literature offering the best and most incredible ghost stories from East, South and Southeast Asia, combining new and classic authors across the region. Another deluxe edition of new writing and neglected perspectives. Asian ghosts – from India to Sri Lanka, China to Korea, Japan to the Philippines – can be both terrifying and comforting. Underpinned by strong cultural beliefs in the cycles of life and ancestor worship, the nature of Asian spirits differs from that of their counterparts in other areas of the world. The possibility is more instinctually accepted that ghosts remain with us, as part of the world, whether we can see them or not. Featured here are all kinds of stories from across East, South and Southeast Asia: classic weird tales by the likes of Pu Songling, Rabindranath Tagore, S Mukerji, Im Bang and Yi Ruk, Lafcadio Hearn and Yei Theodora Ozaki, are complemented by stories by Asian writers of today. An egui (the Chinese version of a 'hungry ghost') is exorcised, a vicious jiangshi (Chinese zombie-like revenant) is encountered in the night, a Bengali shakchunni (the ghost of an unsatisfied bride) poignantly seeks love with devastating effect, a family is haunted by vengeful Korean gwishin, and the iconic Japanese tragedies of Oiwa and O-Kiku are revisited. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.
A Thing of Unspeakable Horror: The History of Hammer Films
A Thing of Unspeakable Horror: The History of Hammer FilmsWhen the relatively unknown Hammer Films released "The Curse of Frankenstein" in 1957 it unexpectedly struck gold. The reactions of a lynch mob of critics brought the audiences flooding into the cinemas and the film ultimately recovered its modest production budget thirty times over and launched an international 'brand' that would become a part of the British way of life. Originally formed in 1934 and previously known for quickie melodramas, police thrillers and monochrome sci-fi features, Hammer was quick to capitalise on the film's success. By 1979, when the studio ceased production, Hammer's trademark combination of gore and decolletage had in dozens of "Frankenstein", "Dracula" and vampire movies that would continue to be a staple of late-night television for years to come. Hammer was a very British success story. A family business, it operated from the improbable setting of a Berkshire country house, employed largely British casts and catered to the long-established British taste for grand guignol that teetered on the edge of self-parody. But its production values were high by the standards of the time and the genre and in addition to establishing the careers of its regular stars like Peter Cushing and Christopher Lee it gave a surprisingly large number of British actors and directors their first break and film-makers including Scorsese, Spielberg and Tarantino have all acknowledges its influence on their work. The author has interviewed many of the surviving actors and other employees most of whom recollect their times at Hammer with amusement and affection.
Hell Chose Me
Hell Chose MeBryan Walsh is a killer for hire. He is haunted by those who have fallen by his hand. He will stop at nothing to avenge his brother’s death. When a lifetime of bad karma finally lands on Bryan’s doorstep and leaves his brother dead, he must survive long enough to find the killers and get his revenge, but as the path only grows bloodier, Bryan may not be able to handle the steps he’ll need to take against his enemies. As he becomes more unstable and his past crashes into his present, Bryan must decide if vengeance is worth becoming the monster he always denied or if he could find a another path; one that could lead to something like redemption. Praise for HELL CHOSE ME: “Angel Luis Colón’s knack for writing colorful, compromised hooligans for whom you can’t help but root has garnered him a loyal following, and his debut novel, Hell Chose Me, more than delivers on the promise of his short fiction. Equal parts profound and profane, Hell Chose Me is a damned good read—a vividly imagined pulp nightmare best read through splayed fingers.” —Chris Holm, Anthony Award-winning author of The Killing Kind “Fueled by revenge and unapologetically bloody, Hell Chose Me contains all the violent, morally conflicted elements you hope to see in a classic hitman tale. However, this is not your parents’ noir. Angel Luis Colón levels up in his first full-length novel with superb writing and a voice that seizes you from page one. A dark, dirty, gritty delight.” —Jennifer Hillier, author of Jar of Hearts “Buckle up, Buttercup. Angel Luis Colón delivers a gut punch that stays with you.” —Shaun Harris, author of The Hemingway Thief “Colón’s voice pulled me along like a tidal wave.” —Sara J. Henry, author of A Cold and Lonely Place and Learning to Swim
Night of the Ghoul
Night of the GhoulA dazzling work of horror, intercutting between the present day and the story of a lost film. Horror masters Scott Snyder (American Vampire, Wytches) and Francesco Francavilla (Afterlife with Archie) collaborate for the first time! This graphic novel is a bold and bloody reimagining of horror monsters that celebrates classic creature features, while creating an unsettling and contemporary new kind of horror story. Horror film obsessive Forest Inman stumbles across a seemingly forgotten canister of old footage. Thinking he has found the legendary unreleased would-be classic 1936 film “Night of the Ghoul,” he sets off on a dark odyssey to the California desert, where he’s warned that the film’s ghoul is far more than a work of fiction: it’s a very real monster who plans to kill him. It was said to be the greatest horror movie in cinematic history. Shot in 1936, “Night of the Ghoul” by writer/director T.F. Merritt was meant to sit beside “Frankenstein” and “Dracula” as an instant classic…But the legendary film never made it to the silver screen. Just before editing was finished, a mysterious studio fire destroyed the footage and killed the cast and crew celebrating at wrap-party. Rumors of the doomed film’s greatness persist to this day, but no footage from it was ever recovered…until now. Forest Inman is a horror film obsessive who digitizes old films for the famed Aurora movie studio. When Forest stumbles across a seemingly forgotten canister of footage, he just might have discovered the remnants of the lost classic “Night of the Ghoul.” This discovery sends Forest on a dark odyssey to the California desert, where he’s warned by a mysterious old man that the film’s ghoul is far more than a work of fiction: it’s a very real monster who plans to kill him. Collects Night of the Ghoul #1–#3 (originally published by Comixology and republished as single issues by Dark Horse).