プレゼンス 存在 (2025)崩壊寸前の4人家族が、ある大きな屋敷に引っ越してくる。一家の10代の少女クロエは、家の中に自分たち以外の何かが存在しているように感じてならなかった。“それ”は一家が引っ越してくる前からそこにいて、“それ”は人に見られたくない家族の秘密を目撃する。クロエは母親にも兄も好かれておらず、そんな彼女に“それ”は親近感を抱く。一家とともに過ごしていくうちに、“それ”は目的を果たすために行動に出る。
Skinamarink (2023)Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished.
Lost Footage (2022)How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
PUTREFIXION: A Video of Nina Temich (2022)PUTREFIXION: A Video of Nina Temich is the first feature to be entirely filmed on a 360 camera. Director David Torres utilizes the disorienting nature of a 360 lens to transform Mexico City, accentuate the ritual of dance, and open a new chapter of in-world-camera narratives. As Nina, model and dancer Dalia Xiuhcoatl controls the space and movement of the camera, giving this portrait of a young woman's brush with the supernatural a mesmerizing feminine energy.
Psycho 60/98 (2016)Psycho (1960) by Alfred Hitchcock and Psycho (1998) by Gus Van Sant collide in a frame-by-frame editing that assaults the eyeballs and assassinates the normative consciousness of the viewer. The footage seems to penetrate us, as though it was a knife or a threatening phantasmagorical entity. The fast succession of single frames and extremely short audio files produce afterimages and aftersounds—entoptic and endaural phenomena—creating a film that does not happen on the screen, but in our brain cells
Funnel Web Family Refrigerated (2016)Funnel Web Family Refrigerated is a refrigerated version of the 13 minute Funnel Web Family i.e. it lasts longer. Similar to the defrosted version it is a prying look at the creatures that inhabit a home. Shot using an early form of wireless CCTV camera technology it places the viewer in an intense voyeuristic position which at times generates a sense of unease and atmospheric disturbance. However with such horror comes a sense of relief and comfort.
The Ominous Project Universe Presents: CARNAGE (2021)Season 2 - Episode 201 in the found footage anthology horror series “The Ominous Project Universe Presents” 1 year after the horrific events of “The Ominous Project Universe Presents: ISOLATION”, the American Disease Center & The Health & Safety Department of of America, announces that quarantine and all previous safety precautions have been lifted which causes 3 young adults to take a risky vacation to Florida. However, on their way for fun in the sun; what they encoutered on the countryside of southern Georgia is something only found in nightmares.
137.7 (2022)A semi-found-footage artistic film exploring shifting self-perceptions and the horror of liminality.
The Redeye Tapes (2023)The events following a surreal network hijacking thrust several characters into a crisis of existential proportions. Leading them on a collision course of human consciousness, technological evolution, and divine horror where fragmented identities dissolve and reconfigure in frenzied kaleidoscopic mania rapidly careening towards oblivion.