フィアー・ストリート Part 2: 1978 (2021)呪われた街、シェイディサイドのナイトウィング・キャンプ場。そこに集まった若者たちを殺人鬼が襲い、楽しいはずの夏のキャンプは恐怖のサバイバルと化す。
ストレンジャーズ/戦慄の訪問者 (2008)友人の結婚式の帰り道、クリスティン・マッケイは恋人のジェームズ・ホイトからプロポーズされるも断ってしまい、気まずいまま別荘に帰宅する。深夜、ドアがノックされ不気味な声が聞こえてくる。ドアを開けると、そこには見知らぬ女が立っており…。
テリファー 終わらない惨劇 (2022)ハロウィンの夜のとんでもない惨殺劇を描いた超過激ホラー『テリファー』のシリーズ第2作。手当たり次第の惨殺劇を繰り広げたピエロメイクのアート・ザ・クラウンが1年ぶりに現れ、またも町を恐怖に陥れる。
インランド・エンパイア (2006)ニッキー(ローラ・ダーン)とデヴォン(ジャスティン・セロー)は、映画監督のキングスリー(ジェレミー・アイアンズ)が手掛ける映画に出演することになる。その作品は、ある秘密を抱えており、主演女優のニッキーは役にのめりこむにつれ、次第に役柄と私生活を混同し始めるようになる。
プリベンジ (2017)A pregnant widow, believing herself to be guided by her unborn child, embarks on a homicidal rampage.
パーフェクトゲーム 究極の選択 (2007)There is something horribly wrong with the bodies found in the dark city streets. Some are mutilated while others have the Price equation (wΔz = Cov (w,z) = βwzVz) carved into their flesh. Detective Eddie Argo and his new partner Helen Westcott unearth the meaning of the odd equation and realise each victim is being offered a gruesome choice: kill your loved ones, or be killed. Before long it becomes clear that the perpetrator has suffered a similar fate and is now coping by seeking a way to solve this philosophical dilemma.
The Windmill Massacre (2016)Jennifer, an Australian girl on the run from her past, turns up in Amsterdam and, in a desperate attempt to blend in, joins a coach-load of tourists on a tour of Holland's old windmills. When the bus breaks down in the middle of nowhere, she and the other tourists are forced to seek shelter in a disused shed beside a sinister windmill where a devil-worshiping miller once ground the bones of locals instead of grain. As members of the group start to disappear, Jennifer learns that they all have something in common – a shared secret that seems to mark them all for doom.
Baby Blues (2008)On a secluded family farm, a mother suffers a psychotic break due to postpartum depression, forcing the eldest son to protect his sibling from the mother they have always known and loved.
L.A. Slasher (2015)Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, "L.A. Slasher" explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent - purely through notoriety achieved through shameful behavior.