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Users (2020)

2020 · Duilio Scalici · Italy

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"Users" vuole essere una denuncia sull'uso inappropriato dei social da parte dei minori. I social network posso avere effetti collaterali.

ドラマと SNS を軸にした 2020 年の作品。監督：Duilio Scalici。

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Death of a Vlogger

Death of a VloggerAn ambitious vlogger experiences the dark side of the internet when his latest video, which features an alleged haunting, goes viral.

Feed

FeedA group of social media experts are hired to help an old family business to strive. But they soon find themselves stuck on a tiny island in a lake in which an ancient Swedish witch is said to live.

Dwellers

DwellersWhile shooting a documentary on the suspicious disappearances within the homeless community, a filmmaker and his crew go missing while uncovering a terrifying and vicious secret below the city's surface.

Synonymous With

Synonymous WithA student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

The Thin Man

The Thin ManA struggling You Tuber Bayden Redshaw and his brother Dylan John Redshaw and best friend Jordan Stopforth decide to do a YouTube video about a new urban legend that went viral in 2010, they decide to summon this urban legend in a ritual after seeing a video of another You Tuber doing it and then mysteriously going missing, thinking it's fake they go ahead and summon The Thin Man, little did they know this very well could be their final video.

@morte

@morteYoung people with family problems find themselves involved in manipulation through a social network, where life itself is at stake.

#iKllr

#iKllrA beautiful young woman is stalked online by a psychopathic killer.

Incel

IncelAn isolated man becomes fixated on the host of his favorite podcast, believing they have a genuine relationship.

No One

No OneThe main character accepts an award for his short film.

Alexander Not So Great

Alexander Not So GreatAlexander, a self-absorbed aspiring model and internet personality, spirals into delusion and self-pity after being dumped by his girlfriend for someone “much less impressive.” What begins as a diary of self-reflection soon mutates into performative egoism as Alexander tries to rebrand his heartbreak into an aesthetic. But the camera catches what he won’t admit — that his obsession isn’t with love, but with the idea of being seen as great. As Alexander's online persona grows more unhinged, hallucinations blur with reality. He records performative breakdowns, fakes emotional confessions, and eventually spirals into a monologue where his reflection mocks him.