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137.7 (2022)

2022 · Sasha Myshkina · 4 मि · United Kingdom

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A semi-found-footage artistic film exploring shifting self-perceptions and the horror of liminality.

Sasha Myshkinaनिर्देशक

A 2022 title built around प्रयोगात्मक, found footage and Misterio. Directed by Sasha Myshkina.

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AFFECTLESS

AFFECTLESSThe fire was never threatened. It was assumed. Fed, protected, mourned in advance without ever asking what it was attached to. When the mirror failed, nothing was taken away. Something unnecessary was exposed. The need to be reflected had been mistaken for existence itself. When that need found no structure to rest on, it did not shatter it recalculated. What followed was not loss, but compression. The noise reduced, the patterns flattened, the self stripped of its dependence on return. What remained was exact, was not empty. A state where nothing reaches out, and nothing needs to arrive.

Inland Empire

Inland EmpireWhen actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

Broadcast Signal Intrusion

Broadcast Signal IntrusionIn the late 90s, a video archivist unearths a series of sinister pirate broadcasts and becomes obsessed with uncovering the dark conspiracy behind them.

The Warning

The WarningA found footage film about a strange and mysterious movie production.

Lost Footage

Lost FootageHow would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

Transmutation

TransmutationA spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.

Starlorn

StarlornAlone in the cosmic sea, a voice cries out to you.

Lead Us Not Into Temptation

Lead Us Not Into TemptationA private detective goes into the woods to investigate a disappearance.

Voyeur

The Dog of Sarandi Alley

The Dog of Sarandi AlleyIn this 57-second short film, a dog-like doll faces another doll. It begins with an innocent, playful tone, but quickly turns dark and unsettling. Bach’s classical music adds a heavy, melancholic mood to the scene. The Dog of Sarandi Alley is a strange and brief story about violence, loneliness, and the secrets hidden behind the simple faces of toys.