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साहित्य ★ 4.5

Bad Brains (1992)

1992 · Kathe Koja · 367 पृष्ठ · United States of America

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सारांश

Friedman's ( In Conquest Born ) exceptionally imaginative, compelling science fiction novel leaps ahead to the 24th century. For hundreds of years, Earth has suffered under the yoke of alien conquerors: the dreaded Tyr, a reptilian race in which all individuality is submerged into a single, overarching consciousness. Determined to keep humanity cowed, the Tyr have culled from the captive population the most intelligent, the most curious, the most likely to foment rebellion, and banished them from Earth. As the memory of freedom recedes, humanity sinks into a lethargic subservience. Daetrin, the hero of this tale, is a vampire--not a monster, however, but a man, nearly immortal, who embodies the vanished virtues of a once-sovereign Earth. When his existence is exposed by the Tyr, who are appalled to find a human who witnessed the stet cap/pk Conquest, they immediately ship him offworld. Thus begins a journey of self-discovery as Daetrin is forced by adversity to come to grips with the long-suppressed side of his nature and to confront the ancient horror of a bloody heritage.

Why watch it?

A 1992 title built around dark, emotional and Fiction. Directed by Kathe Koja.

Who is it for?

Not ideal if you are looking for

  • पैरानॉर्मल
  • बॉडी हॉरर
  • जादू-टोना
  • बेस्टियरी

समान किताबें

The Bazaar of Bad Dreams
The Bazaar of Bad DreamsA master storyteller at his best—Stephen King delivers a generous collection of stories, several of them brand-new, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story. Since his first collection, Nightshift, published thirty-five years ago, Stephen King has dazzled readers with his genius as a writer of short fiction. In this new collection he assembles twenty stories, some of which have never been published in print, some of which King has revisited and revised. He introduces each with a passage about its origins or his motivations for writing it. There are thrilling connections between stories; themes of morality, the afterlife, guilt, what we would do differently if we could see into the future or correct the mistakes of the past. “Afterlife” is about a man who died of colon cancer and keeps reliving the same life, repeating his mistakes over and over again. Several stories feature characters at the end of life, revisiting their crimes and misdemeanors. Other stories address what happens when someone discovers that he has supernatural powers—the columnist who kills people by writing their obituaries in “Obits;” the old judge in “The Dune” who, as a boy, canoed to a deserted island and saw names written in the sand, the names of people who then died in freak accidents. In “Morality,” King looks at how a marriage and two lives fall apart after the wife and husband enter into what seems, at first, a devil’s pact they can win. Magnificent, eerie, utterly compelling, the stories in The Bazaar of Bad Dreams comprise one of King’s finest gifts to his constant reader—“I made them especially for you,” says King. “Feel free to examine them, but please be careful. The best of them have teeth.”