Horrorfilia.com
Entrar
Películas ★ 7.5

Happy Face In The Window (2026)

2026 · Cristian Menezes · Brazil

Inicia sesión para guardar tu actividad

Vistas
0
En lista
0
Valoraciones
0
Nota media
—
Favoritos
0

Sinopsis

One night, a neighbor arrives at a house to tell a big piece of gossip.

Reparto principal 1

Etiquetas 2

¿Por qué verla?

Una propuesta de 2026 centrada en animación y found footage. Dirigida por Cristian Menezes.

¿Para quién es?

Te gustará si te gusta

No recomendada si buscas

  • Paranormal
  • Corporal
  • Brujería
  • Bestiario

Influencias

  1. 1907
    La casa embrujada
  2. 1907
    The Haunted Hotel
  3. 1908
    Trilby
  4. 1909
    Una excursión incoherente
  5. 1909
    Вий
  6. 2026
    Happy Face In The Window

Películas similares

The Social Bunny Murders (2010)
The Social Bunny Murders (2010)The mockumentary opens with the line: “In the summer of 2010, Pleasantview witnessed a series of killings no one could explain... except the children.” Over a span of two weeks, five Sims are found dead under eerie and impossible circumstances — strangled in locked rooms, drowned in empty pools, or simply vanished. All the victims had previously reported seeing “the pink one” — a term children use for the elusive, silent figure known as the Social Bunny.
Simterview with the Vampire (2018)
Simterview with the Vampire (2018)Simterview with the Vampire is a 36-minute machinima mockumentary created using The Sims 3. Acclaimed journalist Jonathan Parker (Dean Roman Castiglione) accepts a mysterious invitation from Anastasia Vassiliev (Aylin Baykal), an ancient vampire intent on revealing her true nature to the world. Jonathan arrives at Anastasia’s mansion in the Hollywood Hills, where he is welcomed by her loyal familiar, Penny (Alvin Soprano). Throughout the interview, Anastasia shares her personal history and her philosophy on vampirism, while introducing Jonathan to her adopted vampire daughter Natalia Svetlitskiy (Evie Campbell), who remains forever fourteen. As night turns to dawn, the interview takes a darker, increasingly unsettling turn—culminating in a revelation that changes everything.
Phantasia (2024)
Phantasia (2024)X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.