The Other Me (1917) · L'altro io

Name: The Other Me
Director: Mario Bonnard
Genre: Drama, Silent film
Released: 1917
Duration: 49 min
Cast: Ria Bruna, Vittorio Tettoni

Original title: L'altro io

1917 · Mario Bonnard · 49 min · Italy · Edited by 1

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A loose adaptation of Dr. Jekyll and Mr. Hyde.

A 1917 title built around Drama and Silent film. Directed by Mario Bonnard.

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The Cabinet of Dr. Caligari (1920)Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

Dr. Jekyll and Mr. Hyde (1920)A doctor's research into the roots of evil turns him into a hideous depraved fiend.

A Daughter Of Destiny (1928)Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.

The Unknown (1927)On the lam, criminal Alonzo hides in the circus as The Armless Wonder—a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster's daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo's desperation to remain with Nanon will only end in tragedy.

Salome (1923)Based on Oscar Wilde's play, the films tells the story of how Salomé agrees to dance for King Herod in return for the head of John the Baptist.

Isabelle aux Dombes (1951)Pialat's first film was the short Isabelle aux Dombes, shot in 1951 when the director was 26 years old. The film is an entirely silent montage of documentary footage, ragged experimental techniques — mainly some negative-image inserts — and symbolic psychodrama that's surprisingly not too different from the work that Stan Brakhage would begin making just a year or two later. Images of death proliferate throughout the film, and what started as a loose documentary soon becomes an eerie psuedo-horror piece that's obsessed with death and decay.

Danse Macabre (1922)The Black Death is ravaging Spain. As Camille Saint-Saëns's "Danse Macabre" plays on the soundtrack, a mix of animation and acted scenes tells the story of Youth and Love meeting one night. They dance, embrace, and kiss. As the night wears on, exuberant Death, a skeletal figure with a violin, pursues the couple. They try to elude him. Eventually, Love swoons. Youth is powerless to protect her. Is she doomed?

The Magician (1926)A young woman, Margaret Dauncey, is caught between the forces of a charlatan magician, Oliver Haddo, whom she is unable to resist, and the love of a handsome surgeon, Arthur Burdon, who has saved her from being a helpless cripple by performing a delicate operation on her spine.

Suspense (1913)Abandoned by her maidservant in an isolated country house, a mother must protect herself and her baby from an invading tramp while her husband races home in a stolen car to save them.

El corazón delator (1928)An insane man first loves then grows to hate his neighbor, an old man whose penetrating gaze unnerves the insane man. He plans a perfect crime and executes it one night. The next day, two officers knock on the insane man's door, investigating a shriek heard in the night. The insane man invites them in, answers their questions, and submits to an examination of his eyes by one of the officers, who proclaims him innocent. The insane man invites them to stay and relax awhile, then regales them with his theories of crime. His heart begins to beat louder. Angles on the set are skewed to suggest the man's internal disarray.

The Other Me (1917) · L'altro io

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