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gaslighting — Литература

Литература с тегом «gaslighting»: кураторский каталог хоррора с названиями, синопсисами и ссылками.

38 Результаты

Cursed Bunny
Cursed BunnyA wildly original debut from a rising star of Korean literature—surreal, chilling fables that take on the patriarchy, capitalism, and the reign of big tech with absurdist humor and a (sometimes literal) bite. Pre-order YOUR UTOPIA, the new book written by Bora Chung and translated by Anton Hur, coming February 2024! From an author never before published in the United States, Cursed Bunny is unique and imaginative, blending horror, sci-fi, fairy tales, and speculative fiction into stories that defy categorization. By turns thought-provoking and stomach-turning, here monsters take the shapes of furry woodland creatures and danger lurks in unexpected corners of everyday apartment buildings. But in this unforgettable collection, translated by the acclaimed Anton Hur, Chung’s absurd, haunting universe could be our own. “The Head” follows a woman haunted by her own bodily waste. “The Embodiment” takes us into a dystopian gynecology office where a pregnant woman is told that she must find a father for her baby or face horrific consequences. Another story follows a young monster, forced into underground fight rings without knowing his own power. The titular fable centers on a cursed lamp in the shape of a rabbit, fit for a child’s bedroom but for its sinister capabilities. No two stories are alike, and readers will be torn whether to race through them or savor Chung’s wit and frenetic energy on every page. Cursed Bunny is a book that screams to be read late into the night and passed on to the nearest set of hands the very next day.
The Invocations
The InvocationsFrom the author of New York Times bestseller House of Hollow comes a darkly seductive witchy thriller where, though both men and demons lurk in shadows, girls refuse to go quietly into the night. AN INSTANT NEW YORK TIMES BESTSELLER Three girls, one supernatural killer on the loose . . . Zara Jones believes in magic because the alternative is too painful to consider—that her murdered sister is gone forever and there is nothing she can do about it. Rather than grieving and moving on, Zara decides she will do whatever it takes to claw her sister back from the grave—even trading in the occult. Jude Wolf may be the daughter of a billionaire, but she is also undeniably cursed. After a deal with a demon went horribly wrong, her soul has been slowly turning necrotic. It’s a miserable existence marred by pain, sickness, and monstrous things that taunt her in the night. Now that she’s glimpsed what’s beyond the veil, Jude’s desperate to find someone to undo the damage she’s done to herself. Enter Emer Byrne, an orphaned witch with a dark past and a deadly power, a.k.a. the solution to both Zara’s and Jude’s problems. Though Emer lives a hardscrabble life, she gives away her most valuable asset—her invocations—to women in desperate situations who are willing to sacrifice a piece of their soul in exchange for a scrap of power. Zara and Jude are willing, but they first have to find Emer. When Emer’s clients start turning up dead all over London, a vital clue leads Zara and Jude right to her. If a serial killer is targeting her clients, Emer wants to know why—and to stop them. She strikes a tenuous alliance with Zara and Jude to hunt a killer before they are next on his list, even if she can’t give them in return what Zara and Jude want most: a sister and a soul.
The Turn of the Key
The Turn of the KeyWhen she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the events that led to her incarceration. It wasn’t just the constant surveillance from the home’s cameras, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder—but somebody is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.
The Final Girl Support Group
The Final Girl Support GroupTHE INSTANT NEW YORK TIMES BESTSELLER VOTED GOODREADS CHOICE AWARD BEST HORROR NOVEL OF 2021 A Good Morning America Buzz Pick “The horror master…puts his unique spin on slasher movie tropes.”-USA Today A can't-miss summer read, selected by The New York Times, Oprah Daily, Time, USA Today, The Philadelphia Inquirer, CNN, LitHub, BookRiot, Bustle, Popsugar and the New York Public Library In horror movies, the final girls are the ones left standing when the credits roll. They made it through the worst night of their lives…but what happens after? Like his bestselling novel The Southern Book Club’s Guide to Slaying Vampires, Grady Hendrix’s latest is a fast-paced, frightening, and wickedly humorous thriller. From chain saws to summer camp slayers, The Final Girl Support Group pays tribute to and slyly subverts our most popular horror films—movies like The Texas Chainsaw Massacre, A Nightmare on Elm Street, and Scream. Lynnette Tarkington is a real-life final girl who survived a massacre. For more than a decade, she’s been meeting with five other final girls and their therapist in a support group for those who survived the unthinkable, working to put their lives back together. Then one woman misses a meeting, and their worst fears are realized—someone knows about the group and is determined to rip their lives apart again, piece by piece. But the thing about final girls is that no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.
Rosemary's Baby
Rosemary's BabyThe genre-defining classic that ushered in the era of modern horror One of the best-selling books of all time, Rosemary’s Baby is a foundational work of suspense and psychological horror which remains as powerful and chilling as the day it was written. Hailed by Truman Capote as a “darkly brilliant tale” and adapted with near-total fidelity into the monumental film starring Mia Farrow and John Cassavetes, Ira Levin’s Rosemary’s Baby ushered in the era of contemporary horror as we know it, opening the floodgates to later works such as The Exorcist and The Omen. Levin ingeniously fused gothic literary tradition with modern-day New York, creating an enduring classic which the New York Times placed on its recent list of “The 25 Most Significant New York City Novels From the Last 100 Years.” Rosemary Woodhouse and her struggling-actor husband Guy are thrilled to move into the Bramford, a sought-after Manhattan apartment building prized for its Victorian details and gargoyled facade. Yet as they learn of a darker side to the building’s history—and become acquainted with their overly attentive neighbors, the Castevets—unspoken tensions enter into the young couples’ relationship. Matters improve when Guy lands a major role, and Rosemary at last becomes pregnant. But as her pregnancy takes frightening turns, Rosemary begins to question if her neighbors’ heightened interest is strictly innocent, or if their motivations—and those of Guy himself—portend terrifying consequences for her, and her unborn child. Is Rosemary “...going mad, or going sane”? Foreword by Chuck Palahniuk. Afterword by R. L. Stine.