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Alcohol — Литература

Литература с тегом «Alcohol»: кураторский каталог хоррора с названиями, синопсисами и ссылками.

47 Результаты

Metamorphosis
Metamorphosis<i>Metamorphosis</i> is a haunting exploration of grief, obsession, and transformation. Cynthia, a woman who once thrived in her autonomy, now finds herself ensnared by a relentless desire to reclaim what she has lost. Living a double life, she meticulously plans a path that blurs the lines between love and madness. Armed with a mask that reflects her inner turmoil, Cynthia descends into a world where reality and fantasy intertwine, revealing the dark depths of her psyche. Ross Jeffery weaves a chilling narrative that delves into the human mind, questioning the boundaries of sanity and the transformative power of grief. <i>Metamorphosis</i> is a poignant and gripping tale that will linger with you long after the last page is turned. ______________________________________ <i>A note from the Author and Publisher of time and tenses in Metamorphosis</i> Any time that assumptions are made concerning a person's, or a character's, so-called sanity, said assumptions have to be made based on the observer's perspective; for one person's "sane" is another’s "insanity." And as you will soon discover, have discovered, or are discovering - it is this bastardization of perspective, of Cynthia’s, which makes up the fare of this novel…is she sane? Insane? Mad? Level-headed? Let me put it like Has there ever been a moment you’ve wanted to escape from, return to, or experience afresh? Good. Then you might understand Cynthia's predicament in the coming pages. The dance necessitated as Cynthia attempts to do all three - to get away from, to return to, and to remain in the moment when her life was, is, will be again torn apart… As such, you may notice some places where our presentation of "tenses" seems... damaged. These slips are intentional. Cynthia is intentional. I wish you the best of luck as you embark on this <i>Metamorphosis</i>.
Compound Fracture
Compound FractureA queer Appalachian thriller that pulls no punches—following a trans autistic teen who’s drawn into the generational struggle between the rural poor and those who exploit them. On the night Miles Abernathy—sixteen-year-old socialist and proud West Virginian—comes out as trans to his parents, he sneaks off to a party, carrying evidence that may finally turn the tide of the blood feud plaguing Twist Creek: Photos that prove the county’s Sheriff Davies was responsible for the so-called “accident” that injured his dad, killed others, and crushed their grassroots efforts to unseat him. The feud began a hundred years ago when Miles’s great-great-grandfather, Saint Abernathy, incited a miners’ rebellion that ended with a public execution at the hands of law enforcement. Now, Miles becomes the feud’s latest victim as the sheriff’s son and his friends sniff out the evidence, follow him through the woods, and beat him nearly to death. In the hospital, the ghost of a soot-covered man hovers over Miles’s bedside while Sheriff Davies threatens Miles into silence. But when Miles accidently kills one of the boys who hurt him, he learns of other folks in Twist Creek who want out from under the sheriff’s heel. To free their families from this cycle of cruelty, they’re willing to put everything on the line—is Miles? A visceral, unabashedly political page-turner that won’t let you go until you’ve reached the end, Compound Fracture is not for the faint of heart, but it is for every reader who’s ready to fight for a better world. Hand this story to teens pushing for radical change.
You Like It Darker: Stories
You Like It Darker: StoriesFrom legendary storyteller and master of short fiction Stephen King comes an extraordinary new collection of twelve short stories, many never-before-published, and some of his best EVER. “You like it darker? Fine, so do I,” writes Stephen King in the afterword to this magnificent new collection of twelve stories that delve into the darker part of life—both metaphorical and literal. King has, for half a century, been a master of the form, and these stories, about fate, mortality, luck, and the folds in reality where anything can happen, are as rich and riveting as his novels, both weighty in theme and a huge pleasure to read. King writes to feel “the exhilaration of leaving ordinary day-to-day life behind,” and in You Like It Darker, readers will feel that exhilaration too, again and again. “Two Talented Bastids” explores the long-hidden secret of how the eponymous gentlemen got their skills. In “Danny Coughlin’s Bad Dream,” a brief and unprecedented psychic flash upends dozens of lives, Danny’s most catastrophically. In “Rattlesnakes,” a sequel to Cujo, a grieving widower travels to Florida for respite and instead receives an unexpected inheritance—with major strings attached. In “The Dreamers,” a taciturn Vietnam vet answers a job ad and learns that there are some corners of the universe best left unexplored. “The Answer Man” asks if prescience is good luck or bad and reminds us that a life marked by unbearable tragedy can still be meaningful. King’s ability to surprise, amaze, and bring us both terror and solace remains unsurpassed. Each of these stories holds its own thrills, joys, and mysteries; each feels iconic. You like it darker? You got it.
The Invocations
The InvocationsFrom the author of New York Times bestseller House of Hollow comes a darkly seductive witchy thriller where, though both men and demons lurk in shadows, girls refuse to go quietly into the night. AN INSTANT NEW YORK TIMES BESTSELLER Three girls, one supernatural killer on the loose . . . Zara Jones believes in magic because the alternative is too painful to consider—that her murdered sister is gone forever and there is nothing she can do about it. Rather than grieving and moving on, Zara decides she will do whatever it takes to claw her sister back from the grave—even trading in the occult. Jude Wolf may be the daughter of a billionaire, but she is also undeniably cursed. After a deal with a demon went horribly wrong, her soul has been slowly turning necrotic. It’s a miserable existence marred by pain, sickness, and monstrous things that taunt her in the night. Now that she’s glimpsed what’s beyond the veil, Jude’s desperate to find someone to undo the damage she’s done to herself. Enter Emer Byrne, an orphaned witch with a dark past and a deadly power, a.k.a. the solution to both Zara’s and Jude’s problems. Though Emer lives a hardscrabble life, she gives away her most valuable asset—her invocations—to women in desperate situations who are willing to sacrifice a piece of their soul in exchange for a scrap of power. Zara and Jude are willing, but they first have to find Emer. When Emer’s clients start turning up dead all over London, a vital clue leads Zara and Jude right to her. If a serial killer is targeting her clients, Emer wants to know why—and to stop them. She strikes a tenuous alliance with Zara and Jude to hunt a killer before they are next on his list, even if she can’t give them in return what Zara and Jude want most: a sister and a soul.
The Turn of the Key
The Turn of the KeyWhen she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the events that led to her incarceration. It wasn’t just the constant surveillance from the home’s cameras, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder—but somebody is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.
The Final Girl Support Group
The Final Girl Support GroupTHE INSTANT NEW YORK TIMES BESTSELLER VOTED GOODREADS CHOICE AWARD BEST HORROR NOVEL OF 2021 A Good Morning America Buzz Pick “The horror master…puts his unique spin on slasher movie tropes.”-USA Today A can't-miss summer read, selected by The New York Times, Oprah Daily, Time, USA Today, The Philadelphia Inquirer, CNN, LitHub, BookRiot, Bustle, Popsugar and the New York Public Library In horror movies, the final girls are the ones left standing when the credits roll. They made it through the worst night of their lives…but what happens after? Like his bestselling novel The Southern Book Club’s Guide to Slaying Vampires, Grady Hendrix’s latest is a fast-paced, frightening, and wickedly humorous thriller. From chain saws to summer camp slayers, The Final Girl Support Group pays tribute to and slyly subverts our most popular horror films—movies like The Texas Chainsaw Massacre, A Nightmare on Elm Street, and Scream. Lynnette Tarkington is a real-life final girl who survived a massacre. For more than a decade, she’s been meeting with five other final girls and their therapist in a support group for those who survived the unthinkable, working to put their lives back together. Then one woman misses a meeting, and their worst fears are realized—someone knows about the group and is determined to rip their lives apart again, piece by piece. But the thing about final girls is that no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.