Character driven — 文学

Browse 文学 tagged as “Character driven”: a curated horror catalog with titles, synopses and related links.

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Cursed Bunny
Cursed BunnyA wildly original debut from a rising star of Korean literature—surreal, chilling fables that take on the patriarchy, capitalism, and the reign of big tech with absurdist humor and a (sometimes literal) bite. Pre-order YOUR UTOPIA, the new book written by Bora Chung and translated by Anton Hur, coming February 2024! From an author never before published in the United States, Cursed Bunny is unique and imaginative, blending horror, sci-fi, fairy tales, and speculative fiction into stories that defy categorization. By turns thought-provoking and stomach-turning, here monsters take the shapes of furry woodland creatures and danger lurks in unexpected corners of everyday apartment buildings. But in this unforgettable collection, translated by the acclaimed Anton Hur, Chung’s absurd, haunting universe could be our own. “The Head” follows a woman haunted by her own bodily waste. “The Embodiment” takes us into a dystopian gynecology office where a pregnant woman is told that she must find a father for her baby or face horrific consequences. Another story follows a young monster, forced into underground fight rings without knowing his own power. The titular fable centers on a cursed lamp in the shape of a rabbit, fit for a child’s bedroom but for its sinister capabilities. No two stories are alike, and readers will be torn whether to race through them or savor Chung’s wit and frenetic energy on every page. Cursed Bunny is a book that screams to be read late into the night and passed on to the nearest set of hands the very next day.
Something in the Walls
Something in the WallsUnbearably tense, utterly propulsive, and studded with folklore and horror, Something in the Walls is perfect for anyone who loves Midsommar and The Haunting of Hill House. Newly-minted child psychologist Mina has little experience. In a field where the first people called are experts, she’s been unable to get her feet wet. Instead she aimlessly spends her days stuck in the stifling heat wave sweeping across Britain, and anxiously contemplating her upcoming marriage to careful, precise researcher Oscar. The only reprieve from her small, close world is attending the local bereavement group to mourn her brother’s death from years ago. That is, until she meets journalist Sam Hunter at the grief group one day. And he has a proposition for her. Alice Webber is a thirteen year old girl who claims she’s being haunted by a witch. Living with her family in their crowded home in the remote village of Banathel, Alice’s symptoms are increasingly disturbing, and money is tight. Taking this job will give Mina some experience; Sam will get the scoop of a lifetime; and Alice will get better, Mina is sure of it. But instead of improving, Alice’s behavior becomes increasingly inexplicable and intense. The town of Banathel has a deep history of superstition and witchcraft. They believe there is evil in the world. They believe there are ways of…dealing with it. And they don’t expect outsiders to understand. As Mina races to uncover the truth behind Alice’s condition, the dark cracks of Banathel begin to show. Mina is desperate to understand how deep their sinister traditions go–and how her own past may be the biggest threat of all.
Compound Fracture
Compound FractureA queer Appalachian thriller that pulls no punches—following a trans autistic teen who’s drawn into the generational struggle between the rural poor and those who exploit them. On the night Miles Abernathy—sixteen-year-old socialist and proud West Virginian—comes out as trans to his parents, he sneaks off to a party, carrying evidence that may finally turn the tide of the blood feud plaguing Twist Creek: Photos that prove the county’s Sheriff Davies was responsible for the so-called “accident” that injured his dad, killed others, and crushed their grassroots efforts to unseat him. The feud began a hundred years ago when Miles’s great-great-grandfather, Saint Abernathy, incited a miners’ rebellion that ended with a public execution at the hands of law enforcement. Now, Miles becomes the feud’s latest victim as the sheriff’s son and his friends sniff out the evidence, follow him through the woods, and beat him nearly to death. In the hospital, the ghost of a soot-covered man hovers over Miles’s bedside while Sheriff Davies threatens Miles into silence. But when Miles accidently kills one of the boys who hurt him, he learns of other folks in Twist Creek who want out from under the sheriff’s heel. To free their families from this cycle of cruelty, they’re willing to put everything on the line—is Miles? A visceral, unabashedly political page-turner that won’t let you go until you’ve reached the end, Compound Fracture is not for the faint of heart, but it is for every reader who’s ready to fight for a better world. Hand this story to teens pushing for radical change.
Grey Dog
Grey Dog“Gish’s prose is as sharp as a scalpel.” — Publishers Weekly, starred review “Grey Dog is a bewitching tale of the horrors of spinsterhood in the early 1900s, with madness and magic threaded through every sentence.” — Heather O’Neill, author of When We Lost Our Heads and Lullabies for Little Criminals A subversive literary horror novel that disrupts the tropes of women’s historical fiction with delusions, wild beasts, and the uncontainable power of female rage The year is 1901, and Ada Byrd — spinster, schoolmarm, amateur naturalist — accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past — riddled with grief and shame — has never seemed so far away. But then, Ada begins to witness strange and grisly phenomena: a swarm of dying crickets, a self-mutilating rabbit, a malformed faun. She soon believes that something old and beastly — which she calls Grey Dog — is behind these visceral offerings, which both beckon and repel her. As her confusion deepens, her grip on what is real, what is delusion, and what is traumatic memory loosens, and Ada takes on the wildness of the woods, behaving erratically and pushing her newfound friends away. In the end, she is left with one question: What is the real horror? The Grey Dog, the uncontainable power of female rage, or Ada herself?
Witchcraft for Wayward Girls
Witchcraft for Wayward GirlsThere’s power in a book… They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, to give them up for adoption, and most important of all, to forget any of it ever happened. Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicament. There’s Rose, a hippie who insists she’s going to find a way to keep her baby and escape to a commune. And Zinnia, a budding musician who plans to marry her baby’s father. And Holly, a wisp of a girl, barely fourteen, mute and pregnant by no-one-knows-who. Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by adults who claim they know what’s best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it’s never given freely. There’s always a price to be paid…and it’s usually paid in blood. In Witchcraft for Wayward Girls, the author of How to Sell a Haunted House and The Final Girl Support Group delivers another searing, completely original novel and further cements his status as a “horror master” (NPR).