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In the Garden of Poisonous Flowers (2002)
In the Garden of Poisonous Flowers (2002)Late one night, on a lonely south Georgia highway, a very strange car picks up an even stranger hitchhiker and the fates of all concerned become inextricably intertwined. Meet Dancy Flammarion, an orphaned albino girl who talks to angels and is intent on ridding the world of monsters. But what happens when one of the monsters decides to use her for his own dark ends? Caitlín R. Kiernan's <i><b>In the Garden of Poisonous Flowers</i></b> is a wickedly delicious novella that tells us a bit more about Dancy Flammarion. Dancy, an albino orphan whose angels tell her what monsters to kill, was a pivotal character in the author's second novel <i><b>Threshold</b></i> (2001). In <b><i>Garden</i></b>'s 85 pages you'll also meet The Bailiff - a mysterious gentleman who travels with two vampires - and Miss Aramat Drawdes, the unspoken matriarch of the Stephens Ward Tea League and Society of Resurrectionists. Miss Aramat and her ladies are an elegant and decadent sisterhood of ghouls who live in a grand mansion in Savannah, Georgia to whom The Bailiff delivers Dancy for his own arcane reasons. <i><b>In the Garden of Poisonous Flowers</i></b> is award-winning fantasist Caitlin R. Kiernan's first-ever novella, giving us a glimpse into the life of Dancy Flammarion shortly before her appearance in Kiernan's critically-acclaimed second novel, <i><b>Threshold</b></i>. This gritty yet decadent story of ghouls, corruption, and talking bears, draws us deeply into a world of madness and betrayal, forbidden appetites and deadly intrigue, and the light that shines from the most unlikely of heroes.
Bat Eater and Other Names for Cora Zeng (2025)
Bat Eater and Other Names for Cora Zeng (2025)In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic. Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head. She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women. As Cora will soon learn, you can’t just ignore hungry ghosts. For fans of Stephen Graham Jones and Gretchen Felker-Martin, Bat Eater and Other Names for Cora Zeng is a wildly original, darkly humorous, and subversive contemporary novel from a striking new voice in horror.
Slashed Beauties (2025)
Slashed Beauties (2025)A gothic feminist body horror in two timelines revolving around three Anatomical Venuses—ultrarealistic wax figures of women—that come to life at night to murder men who have wronged them. Seoul, present day. Antiques dealer Alys’s task is nearly complete. She has at last secured Elizabeth, the final anatomical Venus in a dangerously intertwined trio. Crafted in eighteenth-century London and modeled after real-life sex workers to entice male medical students to study female anatomy, these eerie wax figures, known as slashed beauties, carry unsavory lore. Legend has it that the figures are bewitched, and come to life at night to murder men who have wronged them. Now Alys embarks for England, where she knows what she must do: sever her cursed connection to the Venuses once and for all. London, 1763. Abandoned and penniless in Covent Garden, wide-eyed Eleanor and another young woman, Emily, are taken under the wing of beautiful and beguiling Elizabeth, one of the city’s most highly desired courtesans. But as Eleanor is seduced deeper into a web of money, materialism, and men, it seems that Elizabeth may not be the savior she appears to be. As past and present begin to intersect, it becomes clear that the women’s stories are linked in deeper, darker ways than it initially seems. And that the only method for Alys to end the witchcraft that binds her legacy is to gather all three models in one place and destroy them. The problem is, Elizabeth is not ready to burn. Far from it. Centuries on, she is determined to rise again, and she will obliterate anything standing in her path. Including Alys herself.